Culinary immersion in France: between discovery and training

Culinary immersion in France: between discovery and training

From November 6 to 16, Sokly, pastry teacher, and Chomrong, English teacher at the Bayon pastry school, had the opportunity to spend a few days in Paris.

This trip organized by Apprentis d’Auteuil and bringing together the different members of the ASSET – H&C program allowed them to follow a training course on pedagogy.

After a long flight, Sokly and Chomrong finally landed in Paris and took the train to Château des Vaux, in Eure-et-Loir, where a week of classes and workshops of all kinds awaited them.

During these few days of training, our teachers were able to attend different classes with the students trained at Apprentis d’Auteuil. In particular, they were able to participate in different cooking classes focused on the themes of “catering”, “pastry” and “bakery” where they learned to cook a blanquette de veau, a Parisian flan, baguettes and many others. These cooking classes also allowed our pastry teacher, Sokly, to discover many new equipment and ingredients. These discoveries can be a source of renewal in our kitchen in Cambodia.

After these few days of training, our teachers returned to Paris for the end of their stay. They enjoyed a boat ride on the Seine, a visit to the Eiffel Tower and a delicious French meal with the members of the Bayon Association present in France.

Atelier avec Chomrong
Sokly, Chomrong, Dubrule team à la Tour Eiffel
Sokly en cuisine

What did you learn during this week of training?

We learned and discovered many new things such as teaching styles and patterns, new recipes, new equipment and ingredients, how to work and communicate with your team in the kitchen.

What we learned most from this pedagogical training was the importance of soft skills. We teach young people from disadvantaged backgrounds. It is therefore essential for us to teach them adaptability, communication and teamwork within the professional sphere so that their integration into their future teams goes well. Apprentis d’Auteuil was able to give us the keys to approach these different subjects with the students.

What surprised you the most?

First of all, we were overwhelmed by the beauty of the place. The Château des Vaux is a wonderful place, full of history. We were also impressed by the know-how of the chefs, their professionalism and their warm and friendly welcome in their kitchens. Moreover, the modernity of the kitchens and the equipment gave us a lot of ideas to rethink the layout of our kitchen in Cambodia.

In general, we were also surprised by the road traffic in France and its organization. We will remember that in France, we walk much more than in Cambodia!

What is different about our school?

At Apprentis d’Auteuil, students follow a minimum 2-year training program, whereas at Bayon, the training lasts only 1 year. There are many more students and teachers and the facilities are also more modern and diverse than at our school. Finally, students who wish to follow a training program at Apprentis d’Auteuil have to pay tuition fees that vary according to their family’s standard of living.

After these few days of training, what changes would you like to make to your program?

After attending these different courses and visiting such beautiful kitchens, we would like to add lessons on the different tools and technologies used in the kitchen so that our students have a broader knowledge of the different appliances used. As a pastry teacher, I would also like to expand the learning of French recipes so that the students have a greater knowledge of French cuisine and also expand the Coffee Shop menu with more varied dishes.

It would also be interesting to have exchanges between students and teachers of the two training courses to better understand the culture of the other country, the history of pastry, the know-how and the way of teaching.

What would you like to say to Apprentis D’Auteuil?

We would like to thank Apprentis d’Auteuil for organizing this exchange program with ASSET H&C members. This trip gave us the opportunity to gain a lot of knowledge in the field of pedagogy and we are determined to apply it to our students in the future. We would also like to thank Pauline, Jeanne, Nicolas and all the teachers and staff of the school for their warm welcome in their training center.

Sharing cultures

Sharing cultures

« Nothing predicted that I would cross paths with these eleven women »

Camille joined the Bayon in June 2022 to work on the Green Farming program. Her project was to strengthen the technical knowledge of our Farmers and help them develop their sales to other potential buyers such as restaurants, hotels and markets in Siem Reap.

She looks back on her journey after 6 months with our Farmers.

Atelier Camille et Farmer

« For a long time now I wanted to get involved in international development programs and thus promote agroecology in the world. This simple wish became true two years ago, when I discovered an internship offer from the Bayon School: “Green Farming Project Assistant”. This internship included everything I had imagined myself doing for years: agro-ecology consulting, production monitoring, data analysis, conducting experimentations…

Why did I get involved in the agroecology field? Because in addition to the technical and scientific aspects, advocating soil conservation methods and promoting biodiversity in growing areas, it also links cultural, sociological, political and economic notions. Producing according to an agroecological model means preserving the environment, but also and above all producing while making a trade-off on yields in order to favor the material and sanitary living conditions of farmers, and the sustainability of our agroecosystems.

For the agricultural engineer in training that I am, it was the concretization of a long-standing desire, and an incredible opportunity to train, far from France, in agriculture under a tropical climate. An aspect for which French schools do not prepare us very well.

At that time, in 2020, while we were still in the midst of the COVID19 and the monotony of e-learning was gradually setting in, this discovery gave me a renewed sense of motivation. I rediscovered the reason why I started my studies: to work in the field, in direct contact with producers in an agroecological approach. The desire to discover Southeast Asia and to work there took over.

Finally, in June 2022, I arrived on site. I met the team that warmly welcomed me, Marie my predecessor who gave me a lot during the month we spent together, and of course our Farmers, eleven moms from Bayon who want to make things happen in their country.

What I still can’t get over is that, at only 22 years old, nothing predicted that I would cross paths with these eleven women. They were an extraordinary and wonderful meeting and they impressed me with their positivism and their uncommon capacity for resilience. Living this experience allows you to put your own situation into perspective. They are all incredibly generous and willing to share a part of their culture and their lives. Even though we don’t speak the same language, they always made me feel comfortable with them, and we had some great moments where we were able to communicate even without words.

Camille et les farmers avant son départ

Living and working abroad necessarily brings its share of difficulties: you have to adapt to different work habits or know how to bounce back from unexpected situations. Expatriation has its ups and downs, but you always have to put yourself in the context of the country that welcomes you. While working in Cambodia, I felt it was important that decisions be made by and in the interest of the Khmer people. So we worked hand in hand to bring this project to a successful conclusion.

I can only conclude with an invitation: if you have the chance, visit Cambodia and take the time to stop at Angkor Wat, to go through the countryside and the infinite rice fields of which one never gets tired, to talk with the people who have so much to tell, and why not at the Coffee Shop of the Bayon for a well-deserved brunch? It is a country that I loved, and that definitely changed me, full of surprises and magnificent landscapes, where everything is easy.

Above all, I discovered a philosophy of life far from our busy lives in France, which I hope to keep for a long time: a problem always finds a solution, often much easier and different from the one we would have imagined. »

Written by Camille Gaume.

OPEN YOUR EYES : to each his own camera !

OPEN YOUR EYES : to each his own camera !

Penelope, who has been in charge of communication for the past year, has set up a photography project at the primary school, with the idea of sharing her passion with our students and getting them to practice in turn. She explains us what motivated her to set up this activity.

How was this project born?

If today’s children all have access to a phone and the camera that goes with it, our primary school students have few opportunities to be the ones taking the pictures.

After noticing that they were often photographed without their permission, I wanted to give them the opportunity to express themselves on the world around them and to testify by themselves of their own reality.

I have been practicing photography for many years, and particularly silver photography, and I have noticed, with time, that this medium is a real means of expression, and that an image often speaks more than words. I wanted to share with them this passion which animates me and teaches them to take the time to observe around them what visually allows to tell a story.

Photography often allows to testify about a particular subject, and the silver photography has something unique, because the pictures are visible only at the development. The surprise of the results is always a moment that I particularly like and I wanted to share it with our students!

What is the pedagogical approach proposed?

Elèves à la bibliothèque pour l'atelier photographie

The Art, Culture and Sport program at the Bayon School allow us to reinforce the creativity and confidence of our students. Several workshops are held each week and are essential to the learning process of each student. With the idea of developing this curiosity and their openness to the world, the “Open Your Eyes” project was born from this desire to offer them a new field of learning and artistic expression.

Having very little access to this medium in their everyday lives, we wanted to give them the opportunity to understand what it is, and to practice it.

The workshop took place in two stages:

A first day of presentation on what is photography and how it works. The basics to know before taking a picture (the light ? the framing ?) and the differences between digital and film cameras (what is a film and how it works ?).

It was also an opportunity to introduce them to some of the names of Cambodian photographers known for their pictures throughout the country. This allows our students to identify with these people and to have in mind that they too can tell a story through images.

The second part of the workshop consists of giving each student a disposable camera, with a few ideas for themes that allow them to express themselves freely about their vision of the world. This approach aims to highlight the context in which they live, letting them express themselves about their daily life and how they perceive it themselves.

Atelier photographie avec les élèves
Slide expliquant la position de la lumière
Davann présente l'atelier aux élèves

What do you expect from the results?

Once scanned and developed, the objective is to ask the students to explain their pictures and the story behind them.

Each student was able to take about 30 photographs and we hope to have some nice surprises!

In addition to the photographs taken at school, I hope to have images of their families and villages, so that we can have a representation of their daily lives. These children have grown up in the Angkor temples and know this area better than anyone else: they are, therefore, the most able to photograph it! I am curious about this reality, and I hope that they will feel comfortable enough to explain to us what their images represent. I also know that some of them wanted to go for a walk in the temples. I wonder how they perceive them. For them, these temples are simply a place to live rather than a world-famous tourist attraction. I especially hope that the images will be readable because I know that at the beginning, many are too dark or overexposed.

How was the project set up?

To realize this project, I looked for partners in Cambodia, because I know they are few to practice photography and I found it relevant to work with local companies.

Among them is the laboratory to which I send my personal films, We Film Lab, in Phnom Penh. The quality of their development has always been very good, and I like their approach and their communication on their networks.

Then there is also Rob Thort, who I discovered on Instagram. This account has a great visibility and defines itself as a community to promote photography in Cambodia. The idea is to make this practice accessible: they regularly have cameras for sale and also offer many films. I like this idea of offering to everyone the possibility to practice photography, whether as an amateur or a professional. Everything is always well explained and presented, and I thought that our project would surely find its place with them.

I exchanged with them, and they were immediately very enthusiastic and found the idea relevant. Rob Thort contributes to the project by providing us with the 35 disposable cameras, and We Film Lab takes care of the development of the images. It is thanks to them that I can now bring the project to the school, and I thank them greatly for their support.

Ronouch, Social and Health Program Coordinator: a key role with our beneficiaries

Ronouch, Social and Health Program Coordinator: a key role with our beneficiaries

Ronouch is the new coordinator of the social and health program at the Primary school. She tells us about her daily life and the actions she carries out throughout the year, including the annual family visit.

What are the main actions you implement in the Primary school?

Distribution Kits d'Hygiènes Ecole primaire

At the Primary school, I am involved in many different things. I take part in the class councils that take place every term to review the needs of each student and the results of the evaluations. I also take care of the health and hygiene follow-up of each student (management of the annual budget for the purchase of hygiene kits, management of the distribution of the kits, working with the partner clinics and hospitals, facilitating and organizing the stay of the children who are treated outside of Siem Reap province).

I support and stimulate the good attendance of the students by making a regular control of the absences and I encourage them in their learning by trying to find a more professional solution if the student does not want to come to school anymore.

My role is also to supervise and coordinate the recruitment of students for the Bayon Primary school (collecting applications, selecting students), to ensure the annual visit of families (creating a schedule of visits to families’ homes, filling in the database, reporting back to the Primary school team), to engage families in the process of their child’s schooling through meetings, workshops, and food or medication support when needed.

Can you explain the annual family visit that takes place each year?

We conduct the family visit once a year. During the academic year 2021-2022, we have 253 students and 184 families with an average of 2 children in our program. The purpose of this visit is to learn more about the family situation of our beneficiaries and its evolution in order to determine their social level for the new school year. At the end of all the visits, a meeting with the whole team is organized to present the social situation of each family and thus establish a social level.

What questions are asked to determine this social level?

We have 6 kinds of questions to ask each family in order to analyze their social level.

First, we ask them questions about the family, how many members are there in the family now, have there been any births or deaths? Do they have a job now and if so, what is it? Are the family members in good health?

Then come the questions about the housing and their different belongings, to know with what kind of materials are their houses built? How is their sanitary installation? How do they have access to water? Do they have access to electricity? Do they have their own field or land next to their home and what is the price? How big is their house and land? How many motorcycles do they have? Do they have animals? Do they have a car, tractor or other vehicle?

Finally, there are questions about income and expenses. We seek to establish an average of their material and financial assets that allow us, at the end of the visit, to match these answers to our criteria and thus evaluate their current standard of living.

How does each visit work?

Ronouch en visite chez une famille

First of all, we have to establish a schedule of annual visits with the date and time. We always try to combine the visits of families who live in the same village. Three to four visits are scheduled per half day and we visit each family’s home. After we finish visiting the families, we present the results during an evaluation meeting to discuss the social level of each family and to inform each team member of the situation of each family.

What is the most challenging part of these visits?

As the families are all scattered in villages around the temples of Angkor, it is sometimes difficult to remember where our 184 beneficiaries live knowing that they have no postal addresses. The area of the temples is a huge forest whose ground is not always easy to master. It takes time to get to know them better and always warn them of our visit beforehand.

What are some ways families can contact you to report a complicated situation?

When I took over as the Health and Social Program Coordinator at the Primary school, I introduced myself to each family and gave them a number to contact me at any time. If I am not reachable, the family can always contact the Primary school team and they will pass the information on to me.

The place of art in education: an indispensable element?

The place of art in education: an indispensable element?

At the Bayon School, we are convinced that access to quality education also requires the practice of extra-curricular activities, which are an integral part of the child’s awakening and development.

This is why we offer primary school students an opening to arts and culture from grade 1, which they do not have access to through their families: art classes, dance and traditional puppet classes, cultural outings. Three hours per week are dedicated to physical activity as well as cultural and artistic awareness.

Educational games and books are also made available to them in the library to give them a taste for reading.

Why is it important to encourage art education at school?

Théâtre d'ombres à l'école primaire

The presence of artistic activities in the school stimulates students’ commitment to their academic success, increases their involvement and motivation in class and is also an important element in developing a sense of belonging to their community. In addition, art allows students with the most difficulties to gain more autonomy, to express themselves freely and to discover new skills.

Art, in all its forms, offers students the opportunity to express their creativity and learn to work as a team while having fun.

The arrival of the Art, Culture & Sport program at the Bayon School

Started in 2018, the Art, Culture & Sport program aims to strengthen the creativity, self-confidence and personal thinking skills of Bayon School students.

Class trips are also organized to allow students to visit places they would never have had the opportunity to discover in a family setting. This is an opportunity for them to enrich their knowledge and learn in a different way.

Finally, sports classes are offered each week to develop skills that are not taught in other classes.

Through this program, the school wishes to awaken the students’ curiosity and enrich their personal culture, to value and recognize Khmer culture and to encourage the values of respect for oneself and others.

Enfants de l'école primaire qui jouent au foot
Danse APSARA à l'école primaire
Enfants de l'école primaire à la ferme aux papillons

In order to enhance the symbols of Khmer culture, the Bayon School has set up classes in traditional Khmer music, dance and puppet show.

Cambodia is the cradle of one of the richest cultures in Southeast Asia. Cambodian arts such as music, dance and theater date back to ancient times, especially during the Khmer Empire (802-1431) under the influence of Hinduism and Buddhism.

However, during the Khmer Rouge period, all forms of art disappeared due to the brutality of this communist regime which prohibited the practice of activities.

Cambodian art must therefore flourish again, and the Bayon School participates in the transmission of these important symbols of culture through classes in Khmer instruments, APSARA dance and Khmer Shadow Theater.

Enfants de l'école primaire qui jouent de la musique

In Cambodia, music gives rhythm to ceremonies, celebrations or rites using traditional instruments. Our music teacher Phlong Poeun teaches our students to play various Khmer instruments such as the Tro Saun, a two-stringed vertical fiddle with a hardwood body, the Takhe or Krapeur, a three-stringed, crocodile-shaped, floor-standing zither and percussion instruments.

The essential art of Khmer culture is the traditional Apsara dances. Once reserved exclusively for kings and their courts, these bewitching dances have their origins in India. The apsaras would be nymphs from the churning of the ocean of milk that is the origin of the universe, according to the Hindu religion. This art is taught in Primary school to both boys and girls by our two teachers San Theany and Run Marin.

Danse APSARA à l'école primaire
Théâtre d'ombres à l'école primaire

The shadow theater in Cambodia, “Sbek Thom” in Khmer, is registered since 2008 by UNESCO as intangible heritage of humanity. It features puppets of varying sizes (up to two meters high), made of carved cowhide. Considered a sacred art during the Angkorian period, puppet shows were only performed during famous events (Khmer New Year, the king’s birthday and veneration of illustrious figures). Today, the Skeb Thom has gone beyond this purely ritual framework to become a symbol in its own right of Khmer artistic culture. At the Bayon School, our teacher Keo Kea is in charge of keeping this tradition alive among the children.

Our goal is ambitious: to give a performance of all these artistic teachings at the end of the school year.